“From Town Criers to Online Wars: Davido vs Edo State and the ₦10M Fight Shaking Social Media”

What started as street-level tension in Edo State quickly spiraled into a nationwide spectacle involving music superstar Davido, the Edo State Government’s town criers, and an explosive clash between controversial singer Portable and social media personality Saidaboj over a staggering 10 million naira.

In a matter of hours, what could have remained a local misunderstanding turned into a loud, chaotic drama shaking Nigeria’s entertainment and political space.

The controversy reportedly began when Edo State town criers were seen and heard issuing public warnings and announcements allegedly discouraging certain forms of public gatherings and activities connected to celebrity appearances.

While the government maintained that the move was purely administrative and meant to preserve order, the streets told a different story.

Videos surfaced online showing confused residents and fans reacting angrily, claiming the announcements unfairly targeted entertainers and events associated with Davido’s brand.

Davido did not stay silent.

Known for his bold personality and unfiltered reactions, the Afrobeats star allegedly lashed out, accusing the Edo State Government of harassment, intimidation, and using outdated methods to suppress youth culture.

His reaction, which quickly spread across social media, was described as furious and emotional.

Fans say Davido felt personally attacked, arguing that town criers should not be used to “publicly shame or threaten” entertainers who bring global attention and economic value to the state.

The situation escalated when Davido’s supporters flooded social media, accusing Edo authorities of disrespecting creative freedom and targeting the entertainment industry.

Hashtags began trending within hours, with users questioning why town criers were being used in an era of official statements and digital communication.

For many youths, the issue symbolized a deeper frustration with how culture, music, and influence are sometimes treated by political structures.

While the tension between Davido and the Edo State Government continued to simmer online, another fire exploded—this time between Portable and Saidaboj.

What initially appeared to be a minor disagreement soon turned into a full-blown public fight centered around an alleged 10 million naira deal.

According to online exchanges, the money was linked to a promotional agreement, appearance fee, or personal transaction gone wrong.

Portable, never one to hold back, went live on social media unleashing a barrage of insults and accusations.

He claimed he was disrespected, shortchanged, and betrayed, insisting that the 10 million naira was either unpaid or mishandled.

His outburst, filled with rage and raw emotion, instantly went viral, drawing millions of views within hours.

Saidaboj responded just as aggressively, denying wrongdoing and accusing Portable of manipulation and dishonesty.

Screenshots, voice notes, and cryptic messages flooded timelines as both sides fought to control the narrative.

What shocked many observers was how quickly the dispute escalated from a financial disagreement into personal attacks, threats, and reputational damage.

The timing of the Portable–Saidaboj fight only intensified the chaos already surrounding Davido and the Edo Government.

Social media users struggled to keep up as multiple controversies collided, each feeding the next wave of outrage.

Memes, reaction videos, and commentary channels capitalized on the moment, turning the drama into nonstop entertainment for millions.

Industry insiders expressed concern over how such public conflicts reflect on Nigerian entertainment as a whole.

They warn that while controversy drives engagement, it also reinforces damaging stereotypes of instability and disorder.

“These fights may look entertaining online,” one insider said, “but they cost real money, real opportunities, and real respect behind the scenes.

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Meanwhile, Edo State officials reportedly attempted to downplay Davido’s accusations, insisting that no individual was singled out and that the town criers’ announcements were misunderstood.

However, the damage had already been done.

Public trust eroded rapidly as citizens debated whether traditional methods were being misused in a modern context.

For Davido, the incident reinforced his image as a fearless voice for the youth, unafraid to challenge authority when he feels wronged.

For critics, however, it raised questions about whether celebrities should escalate disputes publicly rather than seek dialogue.

Either way, his involvement ensured the story would not fade quietly.

As for Portable and Saidaboj, their feud shows no sign of cooling down.

Fans fear the situation could spiral further if not addressed privately.

The alleged 10 million naira dispute has become symbolic of deeper issues—trust, respect, and the dangers of mixing business with ego in the age of social media.

By the end of the week, what began as town criers speaking in Edo streets had transformed into a national spectacle involving power, money, pride, and public perception.

The lines between governance, entertainment, and online chaos blurred completely, leaving Nigerians watching, reacting, and arguing in real time.

In a country where music and politics often intersect, this saga serves as a reminder of how quickly words can ignite outrage, how money can destroy alliances, and how social media can turn private conflicts into public wars.

Whether apologies, clarifications, or legal actions follow remains uncertain.

But one thing is clear: this storm has left its mark, and the echoes will linger long after the shouting stops.