In recent weeks, Connie Ferguson, one of South Africa’s most prominent actresses and producers, has found herself at the center of a heated debate across social media platforms, especially TikTok and Twitter.

The controversy revolves around her acting skills, the quality of her latest production *Kings of Joberg* Season 3, and the direction her career has taken.

While some fans and critics have expressed disappointment, others continue to praise her impact on the South African entertainment industry.

 

This article explores the reasons behind the polarized opinions about Connie Ferguson, the criticisms and praises surrounding *Kings of Joberg* Season 3, and the broader implications for her legacy in Mzansi’s entertainment scene.

 

The controversy began with a viral TikTok video that bluntly stated, “Connie Ferguson can’t act.

” The creator of the video argued that Ferguson’s portrayal of Veronica in *Kings of Joberg* lacked emotional depth and authenticity.

The video claimed that the character needed someone who could express a wider range of emotions—someone who could cry when angry or show visible happiness.

Instead, according to the video, Ferguson’s performance was “nonchalant” and unconvincing.

 

This bold statement resonated with many viewers, sparking a flood of comments agreeing with the sentiment.

One comment suggested that another actress, Cindy Lu, would have done a better job in the role.

Another accused Ferguson of disliking talented actresses such as Batiswandara and Roomi Chuen, implying that she might be blocking rising stars.

 

Perhaps the most popular comment pointed out that Ferguson often casts herself as the lead in her productions, which some see as self-serving.

Another common critique was that she frequently plays similar roles, such as the character Karabo, leading to accusations of typecasting.

 

The third season of *Kings of Joberg*, which premiered on Netflix in June 2025, has been met with a mixed bag of reactions.

Many viewers expressed dissatisfaction with the production quality, scriptwriting, and narrative choices.

 

A major source of complaint has been the poor editing and CGI effects.

Fans and critics alike pointed out glaring errors such as the cameraman accidentally appearing in scenes and characters wearing the same outfit across multiple days, breaking continuity.

The supernatural elements of the show, which rely heavily on CGI, were described as “terrible” and “low-budget,” leading some to question the resources and effort put into the series.

 

One Twitter user sarcastically remarked, “This was horrible, and even the CGI was terrible.

What exactly did you expect from Connie Tyler Perry Ferguson #KingsOfJoberg season 3?” This comment highlights the frustration that some viewers feel about the show’s production values.

 

The storyline also came under fire for its perceived weaknesses.

Critics argued that the script failed to justify key plot decisions, such as killing off major characters like Mo and Veronica.

The show’s shift toward mysticism and supernatural themes was seen as a departure from its crime drama roots, leaving many fans confused and dissatisfied.

 

A review on Rotten Tomatoes echoed this sentiment, noting that the mystical turn might not sit well with fans who enjoyed the series’ original gang-related themes.

The execution of the story was praised by some, but the script itself was labeled “not good.”

Another point of contention was the narrative focus on Connie Ferguson’s character at the expense of others.

Many fans felt that the show lost its edge when it centered too much on Veronica, sidelining characters like Mo, played by Zolissa Talua, who was considered a stronger lead in earlier seasons.

 

One comment bluntly stated, “Connie Ferguson low-key ruined *Kings of Joberg* by making it all about her.

The show was perfect when Solis Lisa was the main character.

” This sentiment reflects a broader frustration with what some see as self-centered storytelling.

 

The criticism of Ferguson’s acting extended beyond *Kings of Joberg*.

On July 17th, a Twitter user named Justin Neero posted a question asking South Africans what they were willing to admit, to which a comment from Moales responded, “Connie Ferguson can’t act.

” This comment went viral, gathering thousands of likes and opening the floodgates for similar criticisms.

 

Many echoed the view that while Ferguson is talented, her acting in the latest season left much to be desired.

Comments ranged from “I love Connie Ferguson, but she can’t act,” to “The acting and script of *Kings of Joberg* are so bad, I’m trying with all my might to start season 3 because there’s nothing to watch—it’s just so terrible.

”

Despite the criticisms, it is important to acknowledge Connie Ferguson’s significant contributions to the South African entertainment industry.

Few actors have created as many job opportunities for local talent as she has through her production company.

 

Her work has generated employment for countless actors, crew members, and other industry professionals.

Many who have worked with Ferguson have praised her professionalism, timely payments, and the financial stability she offers.

One insider stated, “I have never had money issues with Connie Ferguson.

My biggest paycheck was from Ferguson Films, and I have repeatedly said it’s strange that no one stands up when it’s time to say no.

”

This perspective highlights the positive impact Ferguson has had on the industry, which should not be overshadowed by critiques of her acting or recent productions.

 

While there is vocal criticism, many fans continue to support Ferguson and enjoy *Kings of Joberg*.

Some praise the show’s suspense, horror elements, and bold narrative choices.

 

One Twitter user commented, “Connie Ferguson outdid herself with this season—bold, entertaining, and different in a great way.

” This comment, which received hundreds of likes, illustrates that the show still has a dedicated audience eagerly awaiting what Ferguson will produce next.

Despite the mixed reviews and online debates, the future looks promising for Connie Ferguson and her productions.

The discussions surrounding her work demonstrate that she remains a powerful and influential figure in Mzansi’s entertainment landscape.

 

Whether she chooses to address the criticisms or continue innovating, Ferguson’s legacy as a trailblazer and job creator is secure.

Fans and critics alike will be watching closely to see how she evolves as an actress and producer.

 

Connie Ferguson’s journey as Mzansi’s most debated actress reflects the complexities of fame, talent, and public perception.

While some question her acting skills and the quality of her latest projects, others recognize her undeniable contributions to the industry.

The debate underscores the challenges faced by public figures in balancing artistic expression, audience expectations, and business realities.

Connie Ferguson’s story is a reminder that success in entertainment is multifaceted, involving not just performance but also leadership, opportunity creation, and resilience.

 

As the conversation continues, one thing remains clear: Connie Ferguson is a name that commands attention, respect, and passionate discussion in South Africa and beyond.

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