Yoh! Gogo Maweni Inserts a Big Snake in A Slay Queen Punani live on TV! Ukuthwala!

South African social media has been set ablaze by a recent viral video featuring traditional healer Gogo Maweni performing what many are calling a disturbing ritual involving a snake and a slay queen.

 

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The incident, which aired on Moja Love TV, has sparked widespread controversy, with viewers questioning the motives and implications of such content being broadcasted on a public platform.

 

While some argue it was an exaggerated stunt for attention and views, others are deeply concerned about the potential negative impact on the younger generation.

 

The video, which quickly began trending across platforms like TikTok, depicts a scene where Gogo Maweni is seemingly instructing a young woman on a ritual known as ukuthwala.

 

This practice, often associated with obtaining wealth or success through supernatural means, has long been controversial.

 

The specific moment that shocked viewers involves a snake appearing to be inserted into the woman’s private area, supposedly as part of the ritual.

 

However, upon closer inspection, many viewers began questioning the authenticity of the event, suspecting that it may have been staged.

 

Critics of the show have pointed out inconsistencies in the video, particularly the part where the snake suddenly disappears.

 

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Observers have claimed that the snake vanishing without explanation is evidence of editing or special effects, casting doubt on the legitimacy of the ritual.

 

Some have speculated that the snake used in the video is one of Maweni’s known pet snakes, suggesting the entire stunt was orchestrated to generate buzz and provoke conversation.

 

What has further fueled outrage is the lack of reaction from the woman participating in the ritual.

 

Despite the supposed intensity and gravity of the act, she appears calm and unfazed, leading many to believe she was merely acting.

 

“How can someone remain so still while such a horrifying thing is happening?” questioned one social media user.

 

“It’s clear this is just for views, but what kind of message is this sending to the public?”

 

This brings us to the heart of the backlash: the potential harm such content could cause, especially to impressionable audiences.

 

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Gogo Maweni, who has built a significant following and reputation as a traditional healer, has often faced criticism for her unorthodox methods and dramatic public persona.

 

Many have accused her of exploiting her platform to sensationalize traditional practices and mislead viewers.

 

This latest incident has only amplified those concerns.

 

Parents and educators have expressed alarm over the impact such a broadcast could have on children and young adults.

 

“What are we teaching our kids?” asked one outraged viewer.

 

“Are we telling them that if life gets hard, they should turn to rituals like this instead of working hard or finding legitimate ways to succeed? This is completely irresponsible.”

 

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The incident has also reignited debates about the ethics of broadcasting certain types of content on television.

 

Moja Love, known for its controversial and boundary-pushing programming, has been heavily criticized for allowing the segment to air.

 

Many viewers believe the network should take greater responsibility for the content it promotes, especially when it involves sensitive cultural practices that can easily be misunderstood or misinterpreted.

 

The ritual, framed as a means for slay queens and housewives to gain wealth without working, has been widely condemned for promoting harmful values.

 

Critics argue that it perpetuates a culture of shortcuts and materialism, undermining the importance of hard work and integrity.

 

“This is not just about entertainment,” said one commentator.

 

“When you broadcast something like this, you’re normalizing it.

 

You’re making it seem like an acceptable way of life, and that’s dangerous.”

 

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Gogo Maweni, however, remains unapologetic.

 

She has often defended her methods as being rooted in her spiritual beliefs and cultural practices.

 

Yet, even some traditionalists have distanced themselves from her, accusing her of distorting sacred rituals for personal gain and publicity.

 

“Ukuthwala is not a joke,” said a prominent traditional healer.

 

“It’s a serious practice that comes with consequences.

 

By turning it into a spectacle, she’s not only disrespecting our traditions but also misleading people.

 

The controversy has also opened up broader discussions about the commodification of African spirituality.

 

In an era where social media and reality television dominate public discourse, many have expressed concern over how sacred cultural practices are being transformed into entertainment.

 

The line between education and exploitation, critics argue, is becoming increasingly blurred.

 

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Despite the backlash, Gogo Maweni’s supporters have come to her defense, arguing that the video serves as a warning rather than a promotion of questionable practices.

 

They contend that the exaggerated nature of the ritual was meant to highlight the dangers and consequences of shortcuts to success.

 

“She’s showing people what not to do,” said one fan.

 

“If you actually listen to her, she’s warning against these things.

 

Whether or not the stunt was intended as a warning, the overwhelming public sentiment suggests that the execution missed the mark.

 

The majority of viewers have called for greater accountability, urging both Gogo Maweni and Moja Love to reflect on the impact of their actions.

 

Some have even called for regulatory bodies to step in and ensure that such content is properly vetted before being broadcasted.

 

As the debate rages on, one thing is clear: the incident has struck a nerve.

 

It has forced South Africans to confront uncomfortable questions about the intersection of tradition, modernity, and media.

 

While Gogo Maweni may have succeeded in grabbing attention, the controversy she has sparked serves as a sobering reminder of the power and responsibility that comes with a public platform.

 

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