In the somber aftermath of the assassination of South African media icon DJ Warras, a series of chilling digital artifacts has emerged, suggesting the star possessed a haunting premonition of his own demise.

The legendary broadcaster, born Warrick Stock, was tragically shot and killed on December 16, 2025, near the Carlton Centre in Johannesburg while involved in a high-stakes operation to reclaim a hijacked building.

As the nation mourns, investigative eyes have turned toward his final social media interactions, which paint a picture of a man who felt the walls of danger closing in on him as the year drew to a close.

Journalistic scrutiny of these interactions reveals that the “legend of the airwaves” was not merely living a life of celebrity glamour but was navigating a treacherous landscape of threats and professional enemies.

One of the most striking pieces of evidence is a reshared post from a South African news outlet involving Kat Matlala, which DJ Warras reacted to with visible alarm and distress.

In his response, he explicitly stated that the publication was “trying to get him killed,” a statement that carries immense weight given the violent circumstances of his eventual death.

This was not an isolated incident of hyperbole; rather, it appears to have been a genuine expression of fear from a man who understood the volatile nature of the Johannesburg real estate and security sectors.

Furthermore, a digital exchange from November 29, 2025—just over two weeks before his murder—has sent chills through the South African public.

Responding to a post by the prominent social media figure Chris Excel, Warras noted with a mixture of dark humor and frustration that his name had appeared on what he termed an “execution list.

” While the tone of the conversation on the surface appeared lighthearted, punctuated by laughing emojis, the underlying message was one of deep-seated anxiety regarding his physical safety.

When a follower responded to his post by telling him to “say his goodbyes,” Warras replied with a comment that now serves as a heartbreaking epitaph.

He expressed a simple, poignant hope to at least be able to “enjoy December” and perhaps live to see Valentine’s Day in 2026.

This specific mention of the end-of-year timeline suggests that he was acutely aware of an impending threat that made the prospect of reaching the new year seem like a distant uncertainty.

For a man of his stature and experience, such comments are rarely made in a total vacuum of information; they often point to anonymous threats, “whispers in the street,” or direct intimidation received behind the scenes.

The tragedy at the Carlton Centre confirms that his fears were not unfounded and that the “enemies” he alluded to were very real and prepared to act with lethal force.

The location of the shooting—outside a hijacked building—further underscores the dangerous intersection of organized crime and urban property management that Warras was attempting to navigate.

As a journalist, one must look at these “last words” as more than just social media fodder; they are potential leads in a criminal investigation that points toward a premeditated hit.

The South African Police Service (SAPS) is now under mounting pressure to conduct a forensic sweep of his personal and professional communication devices to uncover the source of the threats he clearly felt.

There is a growing consensus among his fans and the wider public that Warras was “bleeding” his truth in plain sight, using digital platforms to document his vulnerability before the final curtain fell.

The irony of a man owning a security company while simultaneously fearing for his own life highlights the sheer scale of the criminal syndicates operating within the heart of Johannesburg.

Every screenshot currently circulating serves as a testament to a life lived under the shadow of violence, a reality for many who dare to challenge the status quo of urban decay and illegal occupations.

The loss of DJ Warras is not just the loss of a voice on the radio; it is the silencing of an entrepreneur who was seemingly targeted for his efforts to enforce the law.

His hope to “at least enjoy December” was brutally cut short exactly halfway through the month, a fact that adds a layer of cruel timing to the tragedy.

The public’s fascination with these suspicious posts reflects a collective need to find meaning and accountability in a senseless act of aggression.

By analyzing his digital footprint, we see a man who was perhaps trying to warn his audience or leave a trail of breadcrumbs for investigators to follow.

The mention of “K Matlala” and the “execution list” are specific markers that suggest he knew exactly where the threat was emanating from.

As the investigation deepens, these screenshots will undoubtedly form a central part of the narrative surrounding his final days.

The courage it took for him to continue his work despite these premonitions is a testament to the strength of his character.

However, it also serves as a somber reminder that in the face of organized hits, fame and influence offer no shield.

Johannesburg remains a city of shadows, where the light of a legend can be extinguished in a moment, leaving only a trail of digital memories and unanswered questions.

We must honor his memory by demanding a thorough investigation into the “enemies” he so clearly feared.

The truth behind his last words deserves to be brought into the light, ensuring that his premonition does not become just another cold case in the city’s history.

DJ Warras knew he might not see 2026, and the fact that he was right is a tragedy that South Africa will not soon forget.

His digital legacy now stands as a warning and a witness to the dangers of the path he chose to walk.

May his soul find the peace that he clearly lacked in those final, anxious weeks of his life.

And may the justice he sought in the city’s hijacked buildings finally be served in the courtroom.

The world of Mzansi entertainment is forever changed, and the silence on the airwaves is a loud reminder of a man who saw his end coming and faced it anyway.

The screenshots remain, the words remain, and the call for truth remains the loudest of all.

Justice for DJ Warras is a debt that the city of Johannesburg owes to one of its most vibrant sons.

This article stands as a record of those final, haunting premonitions, a journalistic archive of a legend who knew his time was short.