Samklef Shades Davido Over Grammy Loss: “Money Couldn’t Save You This Time”

In a bold and provocative social media post, Nigerian producer and musician Samklef has taken a swipe at fellow artist Davido following the latter’s Grammy loss.

Samklef’s remarks have quickly gone viral, generating intense conversations and mixed reactions across social media, especially among fans of both artists.

The Grammy Awards, known as the pinnacle of international music achievement, have been a focal point for many African artists, including the likes of Burna Boy, Wizkid, and Davido, who have all made significant waves globally.

Despite being nominated for the prestigious award, Davido fell short of securing a Grammy this time, which opened the door for Samklef to throw in his two cents.

Samklef, who has been known for his outspoken nature, did not hesitate to throw shade at Davido in a recent post, saying, “So you sef wan win Grammy?” In this sarcastic remark, Samklef questioned whether Davido truly had what it took to win the prestigious award, hinting that the artist’s chances were slim this time around.

As if to underscore the point, Samklef added, “Burna and Wizkid go dey one place just dey laugh now like this, toad wan win Grammy.

” This comment suggested that Burna Boy and Wizkid, two of Nigeria’s biggest music stars, were likely sharing a laugh over Davido’s failure to win the award.

Samklef’s light-hearted yet cutting words seemed to reflect the ongoing rivalry between Nigerian artists, with Burna Boy, Wizkid, and Davido often being compared in the public eye.

Not one to stop at one remark, Samklef continued to throw shade, targeting the 30BG (30 Billion Gang) fanbase, which is loyal to Davido.

He teased, “30BGs how market?”—a rhetorical question that poked fun at Davido’s massive fanbase, implying that their support couldn’t save him from the Grammy snub this year.

Taking it further, Samklef insinuated that if the Grammy Awards were a place for “bribes,” Davido’s financial clout might have been enough to secure a win.

In another part of his post, he remarked, “If say Dem dey collect bribe for Grammy, we for no hear word today.

” This comment raised eyebrows, as it seemed to hint that Davido’s wealth and influence might have been able to manipulate the results if the Grammy system were corrupt.

However, Samklef didn’t stop at targeting Davido’s wealth.

He also critiqued the artist’s talent, stating, “Your money couldn’t save you this time, dem see say no get any talent.

” This remark was a direct dig at Davido’s musical ability, suggesting that his lack of talent—according to Samklef—was the reason he didn’t win the Grammy, even with all his financial resources backing him.

The producer then pointed to Tems, the Nigerian singer who won a Grammy this year, as a contrast to Davido.

Samklef expressed admiration for Tems, saying, “Tems won because she’s truly gifted.

Now she has the house, private jet, expensive cars.

” He applauded Tems for her authentic talent, implying that her success was a result of hard work and natural ability rather than wealth or showy displays of luxury.

Samklef’s admiration for Tems was clear, as he praised the singer for achieving success through genuine talent rather than the “unnecessary show-off” that he implied Davido relied on.

“Everything your father gave you, she earned, without the unnecessary show off.

Just pure talent,” Samklef stated, contrasting Tems’ rise to fame with Davido’s high-profile, wealth-driven public persona.

Tems, who has been rapidly rising in the global music scene, has built a reputation for her soulful voice and exceptional songwriting skills.

Her Grammy win for her contribution to Future’s hit song “Wait For U” was seen as a reflection of her hard work and pure talent, qualities Samklef appeared to value over wealth and flashy displays.

Samklef’s comments highlight the ongoing rivalry between Nigerian music stars, especially the so-called “Big Three”—Burna Boy, Wizkid, and Davido.

These artists have long been at the forefront of Afrobeat’s global dominance, but the competition for international recognition and accolades has sparked tensions among their fanbases.

In the past, Burna Boy and Wizkid have been vocal about their disagreements with Davido, and it’s no secret that the three artists have been subjects of comparison, especially when it comes to their musical achievements.

While Davido is often praised for his hit singles and global collaborations, Burna Boy and Wizkid have enjoyed more international recognition, including multiple Grammy wins.

This rivalry has sparked several public feuds, online jabs, and rumors, with each artist having their own loyal fanbase that fiercely defends them.

However, Samklef’s remarks added another layer to the ongoing tensions, as it appeared that he was joining the growing chorus of voices who question Davido’s success and whether his wealth is a more significant factor than his music.

Despite the playful jabs and critiques of his talent, Davido remains one of the most influential artists in Africa and across the globe.

His contributions to the Afrobeat genre have garnered him millions of fans, countless awards, and notable collaborations with international superstars.

Known for his hits such as “Fall,” “If,” and “Fem,” Davido has cemented his status as one of the leading figures in African music.

However, as Samklef pointed out, Davido’s public persona has often been shaped by his wealth and lavish lifestyle.

His high-profile family background—being the son of a wealthy Nigerian businessman—has been the subject of much discussion.

Some fans and critics argue that this has sometimes overshadowed his musical talent, while others maintain that his business acumen and showmanship have contributed to his success.

Despite his Grammy loss, Davido remains a major player in the industry, and his fans continue to support him fiercely.

Many of them believe that his time to win a Grammy is still coming, with some pointing out that winning the award isn’t always an indicator of an artist’s overall impact on the music scene.

Samklef’s remarks reflect a larger debate within the music industry: talent versus wealth.

In today’s celebrity-driven culture, many artists leverage their fame, wealth, and business dealings to maintain their status and grow their careers.

However, there are others, like Tems, who rely purely on their craft and artistic abilities to reach the top.

This dichotomy has often sparked debates about the true definition of success in the music industry and whether financial resources should play as significant a role in an artist’s recognition as their actual talent.

Samklef’s admiration for Tems is an endorsement of the belief that talent should ultimately triumph over wealth and status.

Tems’ Grammy win, despite being less commercially flashy than some of her counterparts, has been seen by many as a victory for authenticity in music—a message that Samklef seems to be endorsing.

Samklef’s comments also highlight the future direction of Nigerian music.

With artists like Tems leading the way in terms of pure talent and hard work, it’s clear that the industry is evolving, and a new generation of musicians is emerging.

This shift might inspire a more balanced appreciation for both talent and wealth in the music industry, and artists who focus on genuine artistry may find themselves gaining more recognition in the long run.

As for Davido, his Grammy loss might just be a stepping stone toward even greater success.

His ability to adapt to changing trends and collaborate with international stars suggests that he may yet have more to offer in the global music scene.

Samklef’s comments about Davido’s Grammy loss have sparked a firestorm on social media, with fans and critics alike weighing in on the ongoing rivalry between Nigerian music icons.

While Samklef’s post may have been intended as a playful jab, it has nonetheless raised important questions about the role of wealth, talent, and public persona in the music industry.

As Nigerian artists continue to dominate global music charts, the debate over what truly defines success will likely continue to fuel conversations and shape the future of the African music scene.