In recent months, the hip-hop world has been set ablaze by a brewing conflict between two of its titans, Kendrick Lamar and J. Cole. The tension began to peak when Kendrick Lamar appeared on Future and Metro Boomin’s track “Like That,” released on March 22, 2024.
In his verse, Kendrick took aim at both Drake and J. Cole, delivering lines that ignited a storm of speculation.
While much of the verse seemed to target Drake, there were clear shots aimed at Cole, with Kendrick referencing their collaboration on “First Person Shooter” and declaring his dominance with lines like, “F*** the Big Three, it’s just big me.”
J. Cole, who was already no stranger to lyrical sparring, responded shortly after with the surprise release of his album Might Delete Later on April 5, 2024.
The album’s final track, “7-Minute Drill,” was a direct response to Kendrick’s provocations. On this track, Cole didn’t hold back, taking jabs at Kendrick’s discography, describing To Pimp a Butterfly as “putting people to sleep,” and dismissing Mr. Morale & the Big Steppers as “tragic.”
He also suggested that Kendrick’s best work was behind him, while claiming his own prime was just beginning. Cole even mocked Kendrick’s sporadic releases with lines about his “one hard verse every 30 months,” a reference to Kendrick’s deliberate and infrequent output.
This wasn’t just a spontaneous feud. Kendrick and Cole’s rivalry had simmered for years, with both dropping subtle subliminals in their music.
Cole, however, had recently expressed a shift in focus, claiming he was more interested in building relationships with peers like Kendrick and Drake than engaging in competition.
Despite this, the pressure to respond to Kendrick’s diss seemed unavoidable. Cole delivered his response, but it was evident to some listeners, including critics like Anthony Fantano, that his heart wasn’t fully in it. The track felt less like a genuine attack and more like a reluctant obligation to defend his name.
The aftermath of “7-Minute Drill” was polarizing. Fans of both artists were fiercely divided, debating the merits of each diss.
Cole’s supporters argued that Kendrick’s initial shots were vague and lacked substance, while Kendrick’s fans criticized Cole for inaccuracies in his disses, particularly his dismissal of To Pimp a Butterfly—an album widely regarded as one of the greatest in hip-hop history.
Some even compared Cole’s approach to Jay-Z’s infamous “Takeover” diss against Nas, predicting that Kendrick’s eventual retaliation could mirror Nas’s devastating “Ether.”
However, the real twist came when Cole publicly apologized for his diss during a live performance. In a moment of candor, Cole admitted that the track didn’t sit well with him spiritually.
He confessed that the decision to engage in the feud was influenced more by external pressures than personal animosity. “The world wanted to see blood,” Cole explained, but he ultimately felt the entire episode disrupted his peace. He even announced plans to remove the song from streaming platforms, further solidifying his regret.
This unexpected apology sparked intense backlash online. While some fans admired Cole’s humility and willingness to prioritize his principles over ego, many others were outraged.
Critics, including fellow rapper Mick Jenkins, expressed disappointment in Cole’s retreat. Popular hip-hop commentator DJ Akademiks described the apology as handing Kendrick a “W,” declaring it an unprecedented move in the history of rap battles.
Social media erupted with memes mocking Cole, likening him to characters known for backing down, and accusing him of undermining his own credibility.
For years, Cole had built his persona around being one of the greatest rappers alive, unafraid to take on any challenger.
Tracks like “Fire Squad,” “Johnny P’s Caddy,” and even his early work on “January 28th” featured bold claims about his superiority over contemporaries like Drake and Kendrick.
Fans pointed out the contradiction between Cole’s previous confidence and his retreat from the battle with Kendrick. To many, it felt as though Cole had fallen short of the expectations he had set for himself.
Hip-hop’s history is rich with legendary feuds—Nas and Jay-Z, Tupac and Biggie, even more recent sparring between Pusha T and Drake.
In these battles, respect and artistry often emerged from the ashes of heated exchanges, but Cole’s withdrawal left many wondering if the stakes of such rivalries had changed in the modern era.
Kendrick, for his part, remained silent following Cole’s apology. This silence spoke volumes to fans and critics alike, with many interpreting it as a tactical victory for Kendrick.
By not responding further, Kendrick allowed Cole’s actions to speak for themselves, further cementing his perceived dominance in the eyes of his supporters.
Meanwhile, Cole’s fans defended his decision by emphasizing his growth and maturity. At nearly 40 years old, Cole may have outgrown the need to engage in the kind of back-and-forth diss tracks that defined earlier eras of hip-hop.
Supporters argued that his apology demonstrated self-awareness and a commitment to authenticity, values that have long been central to his music.
However, the controversy surrounding Cole’s response highlighted a deeper tension in his career. On one hand, Cole has consistently positioned himself as a top-tier lyricist, capable of outshining any rival.
On the other hand, moments like this reveal a reluctance to fully embrace the confrontational nature of that position. While Kendrick thrives on competition and calculated moves, Cole’s introspective and empathetic approach sometimes clashes with the aggressive energy expected in hip-hop battles.
The fallout from this feud has left the hip-hop community with lingering questions about the future of these two iconic artists.
Will Kendrick respond further, or will he let his initial shots and Cole’s apology stand as the final word? Will Cole’s decision to step back from the feud impact his reputation, or will fans come to appreciate his honesty and vulnerability?
And what does this moment mean for the broader culture of competition in hip-hop, where the line between artistry and ego is often blurred?
Ultimately, the Kendrick Lamar and J. Cole saga serves as a microcosm of the evolving dynamics in modern hip-hop.
While the genre remains rooted in its competitive spirit, the ways in which artists navigate that competition are changing.
For Kendrick, this feud reaffirms his status as a master of lyrical warfare. For Cole, it marks a turning point, challenging him to reconcile his claims of greatness with his desire for peace and authenticity.
Whatever the outcome, one thing is clear: this chapter in their rivalry will be remembered as one of the most fascinating and polarizing moments in contemporary hip-hop history.